On Brass Eye, post-truth, and the superiority of Arts Scholars

While the Science Scholars strive for accuracy in their research, we Arts Scholars one-up them by discussing why that accuracy is worth striving for; in arts-speak, we examine the ethical implications of certain discursive structures surrounding the production and distribution of research.

Tracey McIntosh on the dangers of selectively (mis/ab)using statistics prompted me to think about the disparity between public and academic interpretations of research. As seasoned second-year students, we might forget that the average person retrieves their information not from peer-reviewed journal articles, but from Twitter*, the telly, and memes.

Chris Morris’ seminal mockumentary series Brass Eye cleverly satirises the ways in which information is (mis)represented by the media. In the first episode, Animals, the Man vs Animal evil continuum paradox yields a pattern so unreadable that “you may as well draw in a chain of fox heads”; doing so results in the world “cruel” flashing. While clearly designed to elicit laughter, it is not until the cartoonish impaled fox heads appear on screen that the viewer realises they’ve been fed sophistries.

Because humans are non-statistical by nature, information that has been sullied and exaggerated to entertain and confirm our biases is easily digested. Thus, we might be tempted to create research that common people** want to read, and that, by extension, someone is likely to publish. Pressured by publication bias, significosis, and disjunctivitis, our knowledge systems begin to resemble RIRO gyres of falsified science*** and meaningless research. This is inherently dangerous to the quest for knowledge that we Arts Scholars treasure so dearly, because as researchers we rely endlessly upon a community of others (including, and I say this through gritted teeth, scientists) to inform and improve our own work.

 

*Though it might be true that even academic research is subconsciously affected by the researcher’s personal experiences (as discussed by Dr Patrick Thomsen), such as reading a tweet.

**I may or may not be listening to Pulp while writing this.

***See linked information about Elsevier’s false scientific journals.

 

The Man vs Animal evil continuum paradox. Credit: Brass Eye

See also:

https://www.forbes.com/sites/kalevleetaru/2017/02/02/lies-damned-lies-and-statistics-how-bad-statistics-are-feeding-fake-news/#7c13ff9a50ca

https://www.the-scientist.com/the-nutshell/merck-published-fake-journal-44190

https://en.wikipedia.org/wiki/Garbage_in,_garbage_out

https://serval.unil.ch/resource/serval:BIB_8EF01CB80A64.P001/REF.pdf

About The Author

Studying geography with politics and international relations, I am interested in increasing public participation whilst maintaining environmental sustainability. I am also passionate about the ways in which complex geopolitical systems can be communicated to the public through verbal and visual representations. Thus, communication through debating, acting, and public speaking is central to my university career. Additionally, I like to sate my creative impulses by practising writing political satire. I am particularly inspired by Chris Morris’ Brass Eye, which focuses on media discourse, misinformation, and news hysteria. Despite my acerbic wit, I seek to promote a smarter, more genial New Zealand politics, especially given our rare levels of partisanship compared to larger countries. I am particularly interested electioneering and psephology, and wish to work on election campaigns beginning this year. In doing so, I will aim to engage swing voters and the politically apathetic, particularly youth voters. Moving to New Zealand I was pleasantly surprised by the ease with which the public can interact with politicians, especially in contrast with Cyprus (where I grew up), which is smaller but less transparent. I wish to use my international experience to bring a new perspective to New Zealand political discourse – I keep close track of our role in the international theatre and question how this can be elevated through diplomacy. I am excited about what the next generation of world leadership will look like as human society faces critical collective existential challenges such as climate change and the spread of disease. Figures such as Greta Thunberg, Jacinda Ardern, and Pete Buttigieg have inspired me to think about what a new, increasingly diverse era of global politics will look like, and about how I might be able to contribute.

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