Hacking Class

Question: What are the essential elements needed to make a good dining experience?

I guess fine dining looks a little like a Renaissance painting.

I’m very enamoured by stories of escaping class struggle. There’s a reason why “A Star Is Born” has been remade four times. It’s a narrative we so desperately want to believe. Believing that there’s a way out sustains us.

This is me in Paris two Christmases ago. I lived with a proud, patriotic French family of academics, intellectuals, and businesspeople. The dinner consisted of duck liver, kangaroo, oysters, deer and other foods that belong in a Dr. Seuss book but were symbolic of French tradition and aristocracy. Like Madeline Chapman, this was my first and only fine-dining experience. Similarly, I never really felt like I belonged there. It just felt like I was watching. 1

Can you hack class? In England, pretending to be rich is commonplace, because actually escaping from the rigid class system is impossible. During the Depression, my great-grandmother worked as a bartender while reading books on etiquette and how to be a “proper lady”. Why would you need that information if you work in a bar? Because the myth of escaping class struggle exists as long as capitalism does.

I actually don’t know what “good dining” is. I still feel like an imposter in upper-class circles, even though the reason my ancestors came to NZ was so that I might have the opportunity to inhabit those circles. To me, dining is just a routine. The French dinner was the first time in my life I’d seen food symbolise something else. Food is supposed to be humble, honest, righteous. But here I saw my everyday ritual twisted to reflect aristocracy and power. It was strange and surreal and I realised that maybe I’d just never get it because to get it would be to hack class, and that can only exist in movies. 

 

My French correspondante and I caught in a moment of resemblance. “The richest consumers buy essentially the same things as the poorest. You can be watching TV and see Coca-Cola, and you can know that the President drinks Coke. Liz Taylor drinks Coke, and just think, you can drink Coke, too.” 2

 

  1. Chapman, Madeleine, and Simon Wilson. “The Critic and the Rookie Go to The Grove, One of Auckland’s Fanciest Restaurants.” The Spinoff. December 08, 2017. Accessed May 23, 2019. https://thespinoff.co.nz/auckland/08-12-2017/the-critic-and-the-rookie-dining-out-at-one-of-aucklands-most-expensive-restaurants/.
  2. Warhol, Andy. The Philosophy of Andy Warhol (from A to B and Back Again), New York, 1975, pp.100-1.

About The Author

Rachel is an undergraduate at the University of Auckland currently completing a Law and Arts conjoint majoring in Art History and Politics. Rachel sees growing up on internet chatrooms as an integral part of her generation’s coming of age experience. Did we grow up in a hyperreality? Are we now truly what Donna Haraway would call cyborgs, untethered from tradition? Fascinated by the endless possibilities of the online realm but also deeply worried by the effects of being chronically online, the themes of displacement, transience, fragmentation and alienation are heavily present in Rachel’s artistic and academic intent. On a wider and more practical scale, Rachel is devoted to creating a world free from such fragmentation and alienation. Her first interest involves investigating ways of modernising our legal and political systems. The demographics of prisons versus the judges’ bench suggest that the law is more of a market mechanism than something innately sacred or noble. Her second interest is bringing art away from the market. Masterpieces that belong in their home countries or at the very least in the public eye have become part of the finance world, hidden in basements and private collections. Rachel has a background in the arts and has written full-length plays, performed in bands and choirs, acted, and is a writer of prose and poetry. She is also a reporter for 95bFM radio, currently co-hosting a current affairs and analysis show where she focuses on women’s issues, worker’s rights, international relations, the justice system, and generally critiquing whatever needs to be critiqued.

1 Comment

  1. Don’t ask me about A Star is Born. I never even watched it purely out of good taste…

    Reply

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