Ai Weiwei’s Sunflower Seeds exhibition. In this exhibition food, sunflower seeds, took on meaning. Drawing reference to China’s mass production methods and its’ pandering to Western companies. Through this meaning the sunflower seeds became recognised as art.

 

Growing up I was always told my older brother was really good at one thing, and he knew it. Leaving school at 16 he trained as a chef and has gone on to become the Arrogant Chef. I hope to convince both you, and my brother, that cooking is merely a craft and not an art. 

In defining art, some argue it has to be overvalued, others discuss the necessity for symbolism or neat presentation. What stands out to me is arts subjectivity.

This is apparent in a modern art gallery. In Ai Weiwei’s Sunflower Seeds exhibition (TOP) the food is art because it has been subjectively agreed that it is art. Weetbix, in Siliga Setoga’s performance art, was an analogy for assimilation into a culture whilst keeping one’s own. However, Hargreaves replaced Weetbix with kiwifruit in his map of New Zealand.1 Siliga explained the message in his work and through this we gained appreciation of it. It became art because it had meaning; however, to Siliga the work was always art. Thus, art is subjective.

Are chefs artists? 

Simon Wilson negated this, and placed chefs alongside craftsmen. Just because a chef is involved in a creative process it does not make him an artist. Siliga and Ai used food to convey a message; whereas chefs create dishes to be eaten not analysed. Rather like a craftsmen using tools to build, a chef uses food to create a dish, not art.

So my brother can rest easy; if he thinks he is an artist good for him, I don’t. 

 

Just because a chef is involved in a creative process doesn’t make them an artist. However, the chef may perhaps think they are artists. One is subjective.

1. Hargreaves, Henry. “Playing with food.” In Kai and culture: Food stories from Aotearoa, edited by Emma Johnson, 72-78. Wellington: Freerange Press, 2017.