Perfection. A myth. An unattainable goal.

And yet, something so many of us strive for.

 

My first issue is the definition. In my opinion, every instance in which we deem something ‘perfect’, it’s a lie. The idea of perfection is completely unique within the mind of every single individual and context. Despite this, not only do we devote ourselves to someone else’s view of perfection, we idolise it. We allow it to devour us.

 

Lotus Feet

The process of foot binding was prominent in the Tang Dynasty

We can see it in the way we view our bodies. Not only are our societal expectations for the way men and women look unrealistic and unhealthy, but also constantly changing. From foot binding in ancient China to the use of skin bleaching creams; it is not new for people to disfigure themselves in an attempt to conform to a beauty ‘standard’. Yet, this supposedly concrete image has been proven to dissolve and evolve. Therefore, how do we ever hope to realise it? And why?

 

Logo from the Second International Eugenics Conference, 1921

 

We can see it in the horrific history of eugenics. Literally translated to “good creation”, the practice of creating a superior society by ‘breeding out’ what those in power consider ‘undesirable traits’ did not start nor stop with Hitler’s obsession with a Master Race. In fact, despite being traced as far back as Plato, Hitler attributes American Eugenics as his core inspiration. In the US, tens of thousands of forced sterilizations of immigrants, minorities, poor and the mentally ill have occurred legally as recently as 1979. We ridicule these histories wherein one group of people in power created a standard and decided they had a right to enforce it, and yet do we not fall for this farce over and over again?

 

Haven’t you ever discovered a mutant M&M in a package and savoured it all the more for being different? The most ridiculous thing about perfection is how hard we strive to define it, despite our natural attraction to imperfection.

Maybe this is accentuated in modern manufacturing culture where technology has set a new standard of production – quality is configured to mean the homogenisation of every product. However, we have always cherished the unique, the misfits and the deformities that make a piece significant.

 

Film adaptation of the novel ‘Call Me By Your Name’ directed by Luca Guadagnino

At its core, art has always been an expression of humanity.

 

Luca Guadagnino, director of the critically-acclaimed ‘Call Me By Your Name’ said in an interview at the NY Film Festival footage of one of the scenes was accidentally damaged in the film’s editing process, but that he kept it in because he loved that the unintentional effect fit the timing and aesthetics of the scene. There is a flaw, and yet Guadagnino felt the scene was perfect, not despite but because of it.

 

 

To err is human, to forgive divine” 

– Alexander Pope, An Essay on Criticism, Part II , 1711

 

If being flawed is imbedded in our very codes, do we not owe ourselves kindness in our shortcomings?

The truth is that all we can ever be is human. No matter what we do and what we create to make up for our inadequacies, being human is synonymous with being imperfect; and there is beauty in our acceptance and celebration of our flaws.

I encourage you to find something you’ve thought of as perfect. A movie you love, or a person you admire, and take a closer look.

What does ‘perfect’ mean to you?