To understand conflicts is to reach into a tumult of voices and take out something sensical.

History has tended to focus on the loudest – those who could afford, or were interesting enough, to have their voices written and preserved. Until recently, the voice of the homogenous mass has received little attention. Technology, in its democratising ability, seems to have made such distinctions archaic. Yet those louder voices still exist, and they have only become more powerful.

A woman walks past billboards reading ‘Patrols and military convoys are for your protection’. In Baghdad, 2006. Photo by Karim Sahib.

They are often driven by public relations firms, whose principal duty is to ensure their clients are not only the loudest voice, but the correct one. Clark S. Judge, managing director of the White House Writers Group, explains that “the issue is not who spins the best”, but “who becomes the standard of truth.” Troublingly, firms have increasingly moved away from representing private companies to sovereign states, and from covering mere electoral campaigns to wars, human rights violations, and genocide. Such work generates contracts of up to 2 million pounds.

These are hardly minor – The Rendon Group oversaw PR for the Afghanistan War, and was so successful its CEO, John Rendon, was introduced as “the man who sold the war” by the Rolling Stone. Other work the Pentagon has paid for includes that of disgraced British firm Bell Pottinger, which received over half a billion dollars to fabricate fake terrorist videos. These firms, among many others, have come to play an unprecedented role in shaping narratives regarding conflicts, and technology has empowered them. The Rendon Group, for example, has developed a sophisticated system that monitors world media in order to counteract and redirect stories.

A soldier rides past a billboard urging Iraqis to take part in the upcoming elections in Basra, 2005. Photo by Odd Anderson.

The effects of this are exacerbated by the demise of journalism, which has often been encouraged by states during conflict. While the U.S. set PR professionals loose in Iraq, it tightened its reins on the press. As marketing professor Eugene Secunda explained, the press were effectively “travellers led from their buses by tour guides… given their opportunity to videotape the ‘panoramic vista’ before them, and then were whisked to the next officially authorised destination.” The effect of this was that PR became the news. There was now only one view of the battle – the one authorised by the military.

In his Rolling Stone profile, Rendon made the following observation: “We are being haunted and stalked by the difference between perception and reality.” Of this he is undoubtedly correct. Information moves faster than it ever has, and the flooding of PR, PR masquerading as news, and genuine news has only served to blur the lines between fact and fiction.

While technology may have paved the way for all to be heard, it has also made it easier for those who wish to persuade and deceive. And with endless standards of truths to follow, it is easier than ever for the masses to be buried under the noise.

 

Bibliography 

Beckerman, Gal. “Rolling Stone Looks At a PR Kingpin.” Columbia Journalism Review. Updated November 21, 2005. https://archives.cjr.org/behind_the_news/rolling_stone_looks_at_a_pr_ki.php.

Black, Crofton and Abigail Fielding-Smith. “Fake News and False Flags.” The Bureau of Investigative Journalism. Updated October 2, 2016. http://labs.thebureauinvestigates.com/fake-news-and-false-flags/.

Booth, Robert. “PR firms make London world capital of reputation laundering.” The Guardian. Updated August 3, 2010. https://www.theguardian.com/media/2010/aug/03/london-public-relations-reputation-laundering.

Eldon Hiebert, Ray. “Public relations and propaganda in framing the Iraq War: a preliminary review.” Public Relations Review 29, no. 3 (2003): 243 – 255.

Solomon, Norman. “War Needs Good Public Relations.” FAIR. Updated October 25, 2001. https://fair.org/media-beat-column/war-needs-good-public-relations/.